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Reading List

  • Alain de Botton: The Art of Travel

    Alain de Botton: The Art of Travel

  • Bryan and Jeff Eisenberg: Call to Action: Secret Formulas to Improve Online Results

    Bryan and Jeff Eisenberg: Call to Action: Secret Formulas to Improve Online Results

  • Neil Howe, William Strauss : Generations : The History of America's Future, 1584 to 2069

    Neil Howe, William Strauss : Generations : The History of America's Future, 1584 to 2069

  • Sharon Drew Morgen : Selling with Integrity

    Sharon Drew Morgen : Selling with Integrity

  • Raymond and Stephanie Yeh: The Art of Business: In the Footsteps of Giants

    Raymond and Stephanie Yeh: The Art of Business: In the Footsteps of Giants

  • Sonja Howle: Iron Horses, The Power of Vision

    Sonja Howle: Iron Horses, The Power of Vision

  • Joan Carpenter Troccoli: Painters and the American West: The Anschutz Collection

    Joan Carpenter Troccoli: Painters and the American West: The Anschutz Collection

  • Arnold Berke: Mary Colter: Architect of the Southwest

    Arnold Berke: Mary Colter: Architect of the Southwest

Living Sculpture

Main Entry: 1sculpĀ·ture
1 a : the action or art of processing (as by carving, modeling, or welding) plastic or hard materials into works of art
Source:  Merriam Webster Online Dictionary

Gehry_bilbao31_lg





This photo by David Heald is of the Guggenheim Museum in Bilbao, Spain, which opened in 1997.

Frank Gehry, the architect who designed this project, told his friend producer/director Sydney Pollack that it all started when he was about 8 years old. 

"... my grandmother would get a sack of wood-cuttings from the wood stove.  Every once in a while she'd open the sack and throw the stuff out onto the floor and we'd sit down on the floor and start building things.  We made cities and freeways .. it was so much fun."

A few years later his Rabbi told his mother he had golden hands; a handwriting analyst told him he would be a famous architect; his instructor (in his second year of architectural classes) told him he didn't have what it takes.

But he did become an architect.         

Later, the moment of truth came at a dinner party.

Gehry's words, from "Sketches of Frank Gehry,"

"At the same time as I did (my) house I was building Santa Monica Place.  The night Santa Monica Place opened we had dinner here with the president of the Rouse Company -- he was a lawyer -- and he says to me 'What the hell is this?'  (He was referring to Gehry's home.)  Well you know, I was experimenting and playing.  He said 'Do you like it?  You must like it?'  I said, I do.  'Well if you like this then you can't possibly like that,' and he pointed to Santa Monica Place.  I said, you're right, I don't.  And he said, 'So why'd you do that?'  And I said, because I had to make a living and he said, 'Stop it.  You should stop it ... don't do that.'  And, I said you're right.

Now at that moment 45 people in my office were working on projects for him and he and I shook hands that night and decided to quit everything. 

It was like jumping off a cliff, it was an amazing feeling and I was so happy from then on."

Gehry's first reaction when he saw the Guggenheim in Bilbao: he said he was embarrassed.

From the Guggenheim website, about the Museum and its impact:

"... (this project) has succeeded in creating an iconic identity for Bilbao.  The singular economic and cultural impact felt in the wake of its opening in October 1997 has sparked an increased awareness of the powerful force that architecture can wield."

"When an artist comes to me, he wants to know how to change the world."

- Milton Wexler, Gehry's Insightful Therapist

That is why great architecture is "interactive art."

By the way, what makes you feel like you're 8 years old again?  How do you play? 

Has anyone loved you enough to tell you to "Stop it" and be who you really are?

October 04, 2006 in Interactive Art | Permalink | TrackBack (0)

Your Architect

March 17, 1974:  He died in a bathroom at Penn Station in New York; he wasn't identified for three days.  He had returned from a trip to Bangladesh, had his passport on him, but his home address and contact information had been crossed out ... unreadable.  They learned later that even though he was a world-renown architect, he was heavily in debt.

Let me tell you about his work in India.  No -- let me have someone from Bangladesh tell you about his work. 

Shamsul Wares said, "It was almost impossible for a country like ours ... this building.  Thirty- fifty years back, it was nothing ... only paddy fields.  And since we invited him here, he felt that he has got a responsibility, he wanted to be Moses here.  He gave us democracy.

He is not a political man, but in disguise he has given us an institution for democracy, from where we can rise.  And that weight is so relevant. 

He didn't care for how much money this country has or whether he would ever be able to finish this building.  But, somehow he has been able to do it ... build it here.  And this is the largest project he has -- in the poorest country in the world.

He has given us this building and we feel all the time for him.  That's why he has given love for us." 

He was speaking of Louis Kahn.

Louis_kahn_bangladesh_906    










Jatiyo Sangshad Bhaban, designed by Louis I. Kahn, houses the National Parliament of Bangladesh. Photo by Karl E. Roehl

So many lessons here.

If you want to introduce a people to democracy, build them up, don't tear them down.

If you want your country to be filled with princes and princesses, build them a castle.

If you want to earn love, give it away.

And, if you want to know more about Louis Kahn and his work, through the eyes of his son, see My Architect, by Nathaniel Kahn.

September 13, 2006 in Interactive Art | Permalink | TrackBack (0)

Learn to See

Picture_your_world_robert_bredvad_906

Last week I went to a local gallery to see the "Picture your World" exhibition.  Ruth Hoyt, naturalist and full-time photographer, worked with the Bexar Land Trust to provide kids an opportunity to represent what they saw in their world of nature.  The disposable cameras didn't limit the kids, the process or the end result in any way.  Their pictures showed an ability to see beyond landscapes and sunsets; their pictures showed maturity and depth.

In The Art of Travel, I read about John Ruskin, who taught "The Art of Drawing" between 1856 and 1860 at the Working Men's College in London.  Besides teaching (mostly Cockney craftsmen) he was a highly regarded lecturer and writer.

And, at the end of each course, he reminded them, "Now, remember gentlemen, that I have not been trying to teach you to draw, only to see." 

I think that may have been at least one of Ruth's goals as well.

Photo above from the exhibition, the work of Robert Bredvad.

 

September 05, 2006 in Interactive Art | Permalink | TrackBack (0)

Interactive Art

Postcards and little boxes.
Two small, insignificant items made significant and powerful with your art, stories and secrets.

Postsecret_1105


postcards (from the edge)

 
In the Fall of 2004, Frank Warren sent out an invitation, and it's still on his web site, http://postsecret.blogspot.com/#113129949258185820

"You are invited to anonymously contribute your secrets to PostSecret. Each secret can be a regret, hope, funny experience, unseen kindness, fantasy, belief, fear, betrayal, erotic desire, feeling, confession, or childhood humiliation. Reveal anything - as long as it is true and you have never shared it with anyone before.

Create your 4-by-6-inch postcards out of any mailable material. If you want to share two or more secrets, use multiple postcards. Put your complete secret and image on one side of the postcard."  

Since then, Frank's received over 3,000 postcards, has a web site which features some of them (new ones are posted every week), a book called PostSecret: Extraordinary Confressions from Ordinary Lives will be released this month, and the postcards keep coming.

Frank told Observer reporter, Sarfraz Manzoor this in an August 2005 interview:
   
"At 41 years old, married for 16 years, with a 10-year-old daughter and a successful business in medical research, Frank Warren was inspired by the twin muses of 'a tedious job and insomnia'. But there was also another reason. 'I didn't think I was interested in secrets,' he explains, 'but as the postcards started arriving I realised that in part I must have created this because I had my own secret, something that had happened to me a long time ago and which I had not told anyone. One day I wrote it down and mailed it, and by writing it down I physically let it go.' It was included on the site."

For the complete story, go to:  http://www.guardian.co.uk/arts/features/story/0,11710,1548560,00.html

He also had an interesting insight about the project when he spoke to NPR's All Things Considered Reporter Michele Norris; he mentioned that he was surprised that he hadn't received more joyful, funny or humorous secrets ... most seemed like silent screams from tormented souls.

Listen to the NPR interview here:  http://www.npr.org/templates/story/story.php?storyId=4568035

about little boxes

Isabella Bird announced their 2005 "Woman of Vision" California artist Lorraine Serena.  Lorraine began Women Beyond Borders in 1991, sending little wooden boxes around the world to be artistically fashioned.  The goal of the project was to create a cross-cultural exhibition of women artists, to honor and document women's voices and visions, to build community and encourage creative expression.

Today it represents the art and stories of women from over 50 countries.  A book celebrates the project and the art, called Women Beyond Borders.  For more information about this project, see www.WomenBeyondBorders.org or go to the Isabella Bird web site at www.isabellabird.com

Women_beyond_borders_1105


   

November 09, 2005 in Interactive Art | Permalink | TrackBack (0)

Recent Posts

  • The Consumer's Role in the Personal Experience Factor
  • Living Sculpture
  • Your Architect
  • Tea for Six in St. Andrews
  • Learn to See
  • Cage and Fish and Barry White
  • The Civic Cycle and Volunteerism
  • NOLA KNights
  • It all started with one painting
  • Gold Dust Woman

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